Libraries Get Big Boost by Freeing Digital Content

October 29, 2010; Source: Publishers Weekly | Digital books are in high demand. All the new gadgets sold for reading downloadable books and the millions of digitized titles available can attest to the popularity of this new market. Many libraries have jumped on the bandwagon, and have chosen to do so in a way that’s decidedly different than other e-book distributors—they’re distributing content without restrictions.

What is DRM?

Suppliers of digital content (e-books, applications, music, documents, etc.) will frequently include restrictions on how that content is used. Instead of putting those terms in the fine print, digital rights management (DRM) encodes those restrictions as a part of the content. In other words, there’s a bit of code that limits what you can do with that content. Ever have a PDF that you couldn’t print? Ever try to burn a CD but some songs wouldn’t copy? These are examples of DRM. The supposed aim is to combat piracy, with the unfortunate result of limiting people’s use of and access to information.

Years ago, one of the big suppliers of e-books—Springer Verlag—consulted with librarians about what lending would look like in a digital context. The initial proposal looked similar to the way e-books are purchased from online stores, in that it included digital rights management controls (DRM – see the sidebar for a full explanation). “We showed them our original plans and they said, ‘Start over,’ with no DRM,” said George Scottie, Springer Verlag’s director of channel marketing. Their clients, academic and research libraries, were unconcerned with piracy—they are, after all, in the business of lending information, for free, to anybody with a library card. What need is there for piracy when it’s already free? Put another way, what need is there for DRM when the information is already freely available?

Foregoing these restrictions has been rewarding to libraries—after adopting the program, downloads of e-books were up by a third, and in the two-year view, had doubled. No wonder, when this is what the process used to look like! The program also means the libraries are more popular and more engaged with their base. Plus the libraries are quicker to make their money back on their investment on e-books.

But legal questions remain about what this means for libraries. Will librarians, as the owners and providers of digital content, find themselves in the middle of copyright fights? Will other e-book publishers take issue with the anti-DRM policy adopted by Springer Verlag and their nonprofit customers? It’s an intriguing precedent that the lawyers, economists, and activists who concern themselves with copyright issues will no doubt have much to say about as librarians and patrons begin to see the benefits of being DRM free.—James David Morgan

  • ananka

    I’d like to know what libraries these are and where they get their digital content. The ones I know are using 3rd parties to provide digital content, and there are plenty of restrictions.

    I agree with the concept–I want less drm in every aspect. It is restrictive and unnecessarily punishes the fan/user before they even get a chance to break a rule.

  • Gabriel

    As author of a book, I don’t want copies circulating the web for free downloads by people who enjoy not having to buy a copy. Look what has happened to digital downloads of music! Authors and musicians should be fairly compensated for their efforts. I am concerned if freely distributable uses by libraries means that the book can be uploaded and distributed online to people outside the library system.

  • James David Morgan

    [quote name=”ananka”]I’d like to know what libraries these are and where they get their digital content.[/quote]

    I can answer the second part of the question, but unfortunately not the first. This story covers Springer Verlag, one large supplier of e-books to libraries. I am not sure if there is a resource that describes the supply chain in question, but it’d certainly be interesting to see where these books come from!

  • James David Morgan

    Gabriel, you’re right that there is a risk of piracy, but I think you’ll agree that it’s mitigated by the fact that the library offers the free download, cutting out the need to circumvent the law in order to access a digital copy. In other words, if it’s free in the first place, why get (or make) a pirated copy?

    Do you make your book available in hard copy to libraries? How do you feel that impacts your bottom line if anyone can get a hold of a hard copy for free from the library?