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Smithsonian Curator Weighs In on Baseball’s Decision to Retire “Chief Wahoo”

Steve Dubb
February 2, 2018
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By Fibonacci Blue [CC BY 2.0], via Wikimedia Commons

January 31, 2018; Smithsonian Magazine

“Since 1948, the Cleveland Indians’ uniforms have been adorned with the team’s official logo: a cartoonish, grinning Native American man known to fans as ‘Chief Wahoo,’” writes Brigit Katz for Smithsonian Magazine. This past Monday, however, Major League Baseball (MLB) commissioner Rob Manfred announced that the symbol will be removed from Cleveland uniforms by 2019, when Cleveland hosts the All-Star Game. “Chief Wahoo will also no longer be seen on banners and signs at Progressive Field, the Indians’ stadium,” Katz notes.

Paul Chaat Smith, who hails from the Comanche Nation and is an associate curator at the National Museum of the American Indian, recently helped develop an exhibit that opened January 18th called “The Americans.” NPQ profiled the exhibit shortly after it opened. In the words of Washington Post art critic Philip Kennicott, the exhibit examines “the fabrication of Indian identity by the dominant, European-derived American culture.”

Chief Wahoo is among the symbols on display, one example of the ways “many sports teams have appropriated names and imagery from Native American culture,” notes Katz.

Smith’s assessment of Chief Wahoo is scathing: “It’s an outrageous, racist caricature. And what’s worse is that in the city of Cleveland in Northern Ohio, it’s really the only visible representation you see of [American Indians].…That’s where it becomes this very insidious phenomenon that puts Indians completely in the past as a caricature.”

Smith elaborates on the complicated history of the use of American Indian symbols in sport. According to Smith, the 1876 Battle of Little Bighorn, in which Lakota Sioux and Cheyenne routed federal troops led by Colonel George Armstrong Custer—in a battle that also became known as “Custer’s last stand”—helped American Indians become “associated with being [a] fiercely intelligent and confident fighting force.”

Smith explains, “The original intent is not to denigrate your own team. That doesn’t really make sense. So, in the original notion, this is meant to be flattering.”

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It was a half-century later, however, when Chief Wahoo entered the scene. Katz says the logo’s origins trace back to 1932, when the Cleveland Plain Dealer created the cartoon image to cover the Cleveland Indians. “Chief Wahoo,” Katz adds, “became the team’s official logo in 1947, after former owner Bill Veeck commissioned a cartoonist to design an image for the team.”

In 2016, Cleveland won the American League pennant. With greater attention came greater criticism of the cartoonish image. Also that year, Katz notes, “an indigenous Canadian activist by the name of Douglas Cardinal tried—unsuccessfully—to seek a court injunction to block the Indians from using uniforms depicting Chief Wahoo while playing in Toronto.”

“There aren’t really other examples in all of popular culture and advertising in which you can point to something that’s quite as offensive as Chief Wahoo. So this one was really indefensible, in a way that it’s not a surprise that MLB had to finally insist it be removed,” says Smith.

Still, Smith’s cultural studies background helps him empathize with why many team fans have defended the logo. “The bonds between a city and its sports team are really deep and profound,” Smith observes. “When I see sports fans defend their mascot—even [an] obviously racist caricature like Chief Wahoo—what they’re really defending is their generations of commitment to that city, to that team, their family, their friends.”

Katz notes that Chief Wahoo’s retirement is not total. As Katz explains, “The logo will continue to appear on merchandise sold in stadium shops and retail outlets,” although Major League Baseball will not sell those items online. And the uniforms won’t be changed for one more year.

Still, Smith calls Major League Baseball’s action a “significant victory” in the ongoing struggle against cultural appropriation of American Indian images and symbols.—Steve Dubb

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ABOUT THE AUTHOR
Steve Dubb

Steve Dubb is senior editor of economic justice at NPQ, where he writes articles (including NPQ’s Economy Remix column), moderates Remaking the Economy webinars, and works to cultivate voices from the field and help them reach a broader audience. Prior to coming to NPQ in 2017, Steve worked with cooperatives and nonprofits for over two decades, including twelve years at The Democracy Collaborative and three years as executive director of NASCO (North American Students of Cooperation). In his work, Steve has authored, co-authored, and edited numerous reports; participated in and facilitated learning cohorts; designed community building strategies; and helped build the field of community wealth building. Steve is the lead author of Building Wealth: The Asset-Based Approach to Solving Social and Economic Problems (Aspen 2005) and coauthor (with Rita Hodges) of The Road Half Traveled: University Engagement at a Crossroads, published by MSU Press in 2012. In 2016, Steve curated and authored Conversations on Community Wealth Building, a collection of interviews of community builders that Steve had conducted over the previous decade.

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