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One Museum, One Future—Two Locations, Two Names

Eileen Cunniffe
September 26, 2014
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Lancaster art

September 25, 2014;Lancaster Online

It might not be the first thing that comes to mind when someone mentions Lancaster, Pennsylvania, but the city with a population of about 60,000 has a lively arts scene that includes a neighborhood loaded with galleries and a full roster of performing arts organizations and cultural events. This week, the city’s two leading nonprofit visual arts museums, the Demuth Museum and the Lancaster Museum of Art announced that they will be merging into a single nonprofit organization with one mission, one board, one staff—but they will maintain two locations with two different names, representing the legacy organizations and their separate areas of focus. (For more analysis on what the merger of two nonprofits means to a community, read Jennifer Swan’s newswire here.)

The announcement came after an extensive review that lasted about 30 months, and began with Lancaster Museum of Art going through “a period of introspection” that led them to reach out to the Demuth Museum to explore how they might work together. The new nonprofit entity, which still needs to be approved by the state and may not be official until early in 2015, will be led by Anne M. Lampe, who has been executive director and chief curator at the Demuth since 2005. Among the efficiencies to be realized will be a reduction in total staff, from six at Lancaster and four at Demuth to a total of six. While each museum will maintain its own exhibitions and educational programs, these will be better coordinated, and will allow in some instances for visitors to experience two different takes on a single concept. The two facilities are just blocks away from each other.

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Charles Demuth (1883-1935) was a Lancaster-born artist whose family lived in the house that is now home to the museum, one of the oldest homes in Lancaster, dating to the late 18th century. Although he studied and painted in Philadelphia, New York, Provincetown, Paris, and Bermuda, Demuth created most of his finished artworks in his Lancaster home. The Demuth Museum, which opened in 1984, has 46 of his originals, the largest collection of his work in any one place. Its exhibitions and programs focus on Demuth and his contemporaries.

The Lancaster Museum of Art dates back to 1969 and has had a series of names and locations since then. It began as the Goethean Gallery on the campus of Franklin & Marshall College, but since 1979 it has been housed in the Grubb Mansion in Musser Park, and it adopted its current name in 1996. The museum has a much broader collection (600 pieces) and more diverse programming than the Demuth, with “exhibitions of regional, national and international artists in a variety of media, artist’s lectures, panel discussions, and educational workshops for children and adults.”

In addition to the public announcement of the merger—made by Lampe, mayor Rick Gray, and president & CEO of the Lancaster County Community Foundation Sam Bressi—the merging organizations posted this video, featuring three board members explaining the rationale for joining forces—a nice touch, and one that emphasizes the shared sense of community and highlights the due diligence behind this nonprofit merger.

—Eileen Cunniffe

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ABOUT THE AUTHOR
Eileen Cunniffe

Eileen Cunniffe has worked in the nonprofit arts sector for more than a decade, managing board development, capacity-building consulting projects and skill-based volunteer programs. She also has deep experience in corporate public affairs, organizational communications and community relations work. In addition to writing for NPQ, Eileen also writes and publishes creative nonfiction.

More about: Arts and CultureManagement and LeadershipMergersNonprofit News

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